The revival of Shoeshine reminds us of what true empathy — not the fake ‘social justice’ sort — looks like. The 4K restoration and revival of Vittorio De Sica’s Shoeshine (1946) at New York’s Film ...
Gianni Bozzacchi's documentary delivers an introductory primer to the highly influential Italian film movement. By Frank Scheck Too superficial to qualify as scholarship and too esoteric to satisfy ...
Jeremy has more than 2500 published articles on Collider to his name, and has been writing for the site since February 2022. He's an omnivore when it comes to his movie-watching diet, so will gladly ...
"What is neorealism?" asks the filmmaker kogonada in this excellent video essay, created for the May 2013 issue of Sight & Sound magazine. He examines two 1952 films that resulted from the ...
For all the ways Italian neorealism brought a new socially conscious, unforgiving directness to cinema in the 1940s, Gianni Bozzacchi’s documentary “We Weren’t Just Bicycle Thieves. Neorealism” is as ...
Results that may be inaccessible to you are currently showing.
Hide inaccessible results