Forse il rapporto di Pasolini con l’antichità è uno degli aspetti più affascinanti del suo immaginario. Controverso, come spesso lo erano le sue idee, ma senza dubbio fuori da ogni schema prefissato.

Many of us were born too late to see Maria Callas, who died in 1977, in the opera house. But we soon will be able to experience the legendary diva on the big screen. The Museum of Fine Arts, Houston ...

Pier Paolo Pasolini's acclaimed 1969 film MEDEA screens on September 10 at the Castro Theatre as part of Cinema Italia SF's Pasolini 100: Homage to Pier Paolo Pasolini. This adaptation of Euripides's ...

Then there’s hardly any dialogue for the next hour or so: look away, if you’re squeamish, at the climax of the chthonic rituals to which Medea's Colchians who guard the Golden Fleece seem bound. These ...

Pasolini's interpretation of the classical Greek myth tells the story of Jason and his disastrous love affair with the high priestess Medea (Maria Callas). When he turns unfaithful, she avenges ...

Al Teatro Municipale di Piacenza Carmela Remigio interpreta la cantante, mentre Bruno Taddia è l’intellettuale ...

When people hear the name Pasolini, if they recognize it at all, it's primarily due to two references: one, his brutal murder by a male prostitute (and perhaps a criminal syndicate group) or his later ...

These taxing scenes are shot in what I guess to be the singular Cappadocian heart of Turkey. Then, after Medea’s equally brutal departure with the Argonauts, we’re whisked to Corinth, which is ...